All China Moments

Reader-built field atlas

Bow-Between-Strings Atlas

An erhu note becomes explainable when bow contact, left-hand location and audible pitch movement remain connected without assigning the player an emotion.

The evidence pair

Two photographs that can be compared

Frame 1

A full playing view showing vertical instrument, left hand and horizontal bow travel

Frame 2

A closer bow-contact or left-hand view from the same player and phrase

What the note must add

Record setting, timestamp and whether the instrument is solo or in a section. Describe attack, slide, vibrato, pressure or spacing before naming an emotion; a still cannot prove pitch or bow force.

Submissions remain private until East Moment reviews the rights, specificity and usefulness of the record.

Editorial founding evidence

A visible baseline, with the gaps left open

These are East Moment editorial records built from authorized or rights-cleared imagery. They are not reader submissions and do not count toward the public record total.

Bow geometry before the sounding note

Partial editorial baseline

A public-domain detail makes the bow hair between two strings visible, while a contemporary stage photograph shows horizontal bow travel against a vertically held erhu.

Close view of erhu bow hair passing between two strings
Visible: the captive bow geometry. Missing: pressure, direction and sound.
Erhu player drawing the bow horizontally on a contemporary stage
Visible: playing posture and bow travel. Missing: a matched note and its pitch path.

Still missing: Neither image contains matched audio, pitch, bow pressure or a confirmed technique label. The pair cannot prove emotion, phrasing or how the contact sounded in solo or ensemble use.

Approved reader records

The Atlas in public

No bow-contact record has returned with matched sound.

The first approved record will connect one visible contact to one audible change. An expressive portrait without a timestamp cannot complete the Atlas.

Make the first record